The Heavyweights
When I first came to New York to study at The Lee Strasberg Theatre Institute, Al Pacino commanded the stage in "American Buffalo". I must have seen that play three times to watch the master. Better yet a heavyweight in the ring so organic and real was his performance. I think I have seen every play he has been in except "Salome". Here are two heavyweight actors in the prime of their careers, Reg E.Cathey and Dylan Baker from my Huffington Post blog.
Currently in the reoccurring
role of Freddy, the owner of Freddy's BBQ, in Netflix' original series "House of Cards" and The Riper in ABC's "Grimm", Reg E. Cathey is an
actor’s actor. His palette commands a range of characters from lawyers,
veterans, drug addicts, historical figures, Shakespeare and homeless men. He is known for diverse and challenging
acting roles in stage (The Shawshank Redemption, Art, The Green Bird), television
{The Wire, Law & Order, Homicide, Oz, The Corner) and film (Everyday People, S.W.A.T., Pootie
Tang). Reg E. is a dangerous actor you never know what he’ll bring to the work
that is why cutting edge directors cast him. An alum of Yale School of Drama,
his fellow classmates include David Alan Grier, Dylan Baker and Jim Simpson. He
and Jim were roommates at Yale and beyond. Both two poor to afford furniture
they managed to “borrow” a couch, chairs and a desk. Reg E. laughs, “What happens in the event horizon
stays in the event horizon”. A quote passed down by his father Red
Cathey,an Army colonel. An Army brat, he with his mother, an educator and
sister lived all over the world. Last
year Jim directed Reg E. in the A.R. Gurney play, “Heresy” at The Flea Theatre.
Reg E. describes commitment to his true love theatre, “There
is this one moment that the piece (play) comes together; all the blood, sweat
and tears of the writer mixes with the energy of the cast and the director’s
interpretation of the piece. At certain performances all that energy comes
together with the audience. Some say you have the audience in the palm of your
hand but the audience also has you in the palm of their hand. This energy
creates a beautiful thing that has a short life. It’s better than sex. No
matter how talented, skilled or trained you are the next performance may not
get here. That’s the dragon I’m chasing.” Off to New
Mexico to work on the indie film, “Enemy Way” with Harvey Keitel, Brenda
Blethyn, Ellen Burstyn and Forest Whitaker, Reg E. Cathey is riding the dragon.
"Shawshank Redemption" London |
Boyishly handsome with piercing blue eyes and an enigmatic
smile actor Dylan Baker could easily
play to type .The talented Mr. Baker delivers dramatic subtle
performances of deeply flawed modern men. Since his brilliant turn as the immoral and depraved
Bill Maplewood in the film “Happiness”, Dylan has garnered kudos
from critics and audiences. (Independent Spirit
Awards, Critics Choice ).
One of the most original and steadily employed actors in the business
Dylan excels in roles on stage (Eastern
Standard, La Bête, Mauritius,
November, God of Carnage) television (Damages, Smash, Law & Order Criminal Intent, Kings) and
film (Thirteen Days, Road to Perdition, Revolutionary Road, Spider-man
2,Spider-man 3). His role as Colin
Sweeny on “The Good Wife” has earned two Emmy Award nominations for Outstanding
Guest Actor. Equally in demand for theater roles
by the best playwrights (David Mamet, Theresa Rebeck, Howard Korder) an actor
of his depth must have a role he yearns to play.
“I was
always drawn to play Shakespeare's King Henry II, and I even worked on his
speeches for years. I never got a chance to play him, tho Colin Sweeney
is a bit of a modern take on him. I don't know if Sweeney will ever have
the self-awareness and clear-headed thought process that Henry has, though.
But perhaps season 6 will venture into a new realm: "Let's sit on
the ground and tell sad stories of the death of millionaires".”
Dylan has been directing regional (New Jersey Shakespeare Festival,
Williamstown Theater Festival) and Off Broadway theatre between acting
roles. He is making his feature
film-directing debut with
the independent film, “23 Blast ”. 23 Blast actually is based
on a true story about guy named Travis Freeman, a football player in Corbin, KY
who after he lost his sight, played football again. That was pretty
exciting. For those families to trust us with their story, to have faith
that we would render their story on the big screen in a way that would honor
that story. It is an awesome responsibility, and it's humbling.
The same work ethic and craft he applies to his
acting Dylan brings to directing.
“I love to work with people, to
find those who are the best at their jobs, and to turn them loose to do their
thing. I have heard it said that 90% of successful directing is casting,
and I agree, but I'd raise that maybe 9% more. I love actors, I love
watching them work. And now that I have seen what a great editor can do,
that really attracts me to directing. The editing process was even more
enjoyable than shooting, and the shooting was a gas! My film, 23 Blast,
really opened my eyes to the potential of film, the possibility of telling a
story, of thrilling an audience sith a communal experience. I never get
over hearing a crowd laugh together at something I think is funny; it is the
best high ever.”
A class act, Dylan’s greatest pleasure is his
contribution to the work.
“I think all acting is a
descendant of that first impulse around the camp fire to tell a story. I
enjoy telling stories, and I love it, film, TV, theater, when I can do my part
and get that story out there. When you really connect with an audience to
the point where they get the message, they happily go on the journey the writer
intends to take them on, that brings me great joy. “